This project examines the concept that appearances can be deceiving, particularly through found imagery of sex toys and self-defense items commonly carried by women, arranged in order from least to most identifiable. The work explores the tension between outer appearance and internal intention. Social performance, especially in the context of femininity, is not merely an exercise in vanity; rather, it is often a strategic expression shaped by societal expectations and personal goals. The items challenge conventional notions of what feminine objects "should" be. Many of them blend seamlessly into the aesthetics of everyday products, yet their functions are either sexual or violent. These dualities complicate the archetype of the “pure and proper” woman, a construct deeply rooted in Victorian gender politics. Femininity, as expressed here, is not synonymous with docility or reserve. Instead, it becomes a site of layered meaning.
Items, in order of least to most identifiable:
Rubber duck vibrator, lipstick vibrator, mascara vibrator, beauty blender vibrator, eyeliner vibrator, iPhone-shaped taser, concealed carry purse, cow-themed taser, hairbrush-shaped container, cherry-shaped knuckle weapons, self-defense keychain, bedazzled pepper spray, pink taser, pink and floral-embossed knife.
Printed using Risograph MH9450 (Fluorescent Pink and Black)
on 11” × 17” White Text Weight Paper
at Pratt Institute.
4.25” × 4.25”
14 pages
First Edition of 3
Fall 2024
By MyKaila Donovan